Two tunes that didn’t make the cut:
Dr. Sarah Schmalenberger, Department of Music, presents solo and chamber music featuring the horn. Recorded live in a variety of settings, these works show an adventurous extension of the horn’s traditional range of sound, expression, and style. Peer musicians onstage and behind the scenes reveal collaborative spirit in making music happen.
Special Thanks to Cavitt Productions (photo, video) and Gavin Linnehan '17 (audio).
By Cait Nashimura
Golden Hour
Angela Drees, piano (St. Thomas Music alumna)
Nashimura’s beautifully lyrical melodies work well for the horn.
Run time: 6:10
By Peter Meechan
Floating Dreams
Meechan originally wrote this piece for tuba. Why should they have all the fun with synthesized backing tracks?
Run time: 5:54
Without deviation from the norm, progress is not possible.
By Frank Rossolino
Blue Daniel
Jazz waltzes are the best. This one is charming.
Run time: 3:07
By Daniel Pinkham
Fanfare, Aria, and Echo
Gina Goettl, horn
David Schmalenberger, timpani
It isn’t every day that you find a duet for horns that includes timpani!
Run time: 5:46
By Kieth Jarrett
Memories of Tomorrow
Both the melody and the form of this bossa nova showcase how nicely the horn fits into this style.
Run time: 4:20
Anything you are shows up in your music. Jazz is whatever you are, playing yourself, being yourself, letting your thoughts come through.
By Daniel McCarthy
The Call of Boromir
David Schmalenberger, marimba
Run time:13:05
This challenging piece deserves a proper breakdown of all that’s happening. Check out these two short supplemental videos:
- On Being Human in Music (6:05)
- Audio Only (6:30)
By Thelonius Monk
Epistrophy
David Martin, guitar
Matt McIntyre, bass
David Schmalenberger, drums
Oh, the things you can do with running the horn sound through guitar pedals…
Run time: 6:41
Four venues for the recordings