Marria Thompson
- Email: marria.thompson@stthomas.edu
- Phone: (651) 962-5877
The art and architectural collections and galleries at the University of St. Thomas serve as teaching opportunities for our students and the public. For undergraduate and graduate students in art history, the VISUAL ARTS@St. Thomas provide the experience of working with artwork, learning proper curatorial and exhibition techniques, and fostering a better understanding of the works' cultural context.
The VISUAL ARTS@St. Thomas include:
From the frigid Arctic to the tropical island of New Guinea, the Department of Art History Gallery and the American Museum of Asmat Art present a joint exhibition, CHANGE, that considers the impact of climate crisis through an artistic lens. Each encapsulated moment is a visual cue of how human actions have altered our environment and a caution of the devastation to come.
Within the coldest regions of the arctic, ice coverage is shrinking, microplastics have permeated every level of the food web, and animals are facing conditions that may soon be unlivable. Warmer areas, like New Guinea, face deforestation which contributes to rising water levels and threatens the survival of both flora and fauna.
Will future depictions of the Arctic be without a single iceberg? Will species important for Asmat cultural practices disappear? How will these shifts be captured in the visual culture? We invite visitors to contemplate the ongoing climate crisis and their own relationships with the natural environment.
The American Museum of Asmat Art is dedicated to expanding human understanding and promoting intercultural awareness through the preservation and exhibition of Asmat art.
The term “Asmat” refers to a people, a language, and a geographic area. Today, Asmat homeland lies within the province of Papua, Indonesia on the southwest coast of the island of New Guinea. Asmat artists are among the finest and most prolific wood sculptors and weavers in the Pacific Islands.
The AMAA’s collection of Asmat art is one of the largest in North American with nearly 3,000 works. It was originally formed by the American Crosier Father and Brothers, under the leadership of Bishop Sowada who used anthropological approaches to renew cultural traditions and encourage artistic production in Asmat. This Catholic religious Order first arrived in Asmat in 1958 and acquired objects through purchase, trade, and as gifts. In 2007, the collection was given to the University of St. Thomas to educate our community and the broader public about Asmat. The museum opened in 2012 and is on the second floor of the Anderson Student Center on the St. Paul campus.
Visit the American Museum of Asmat Art website for additional information.
The American Museum of Asmat Art at St. Thomas engages students and the global community through preserving, exhibiting, and interpreting the art of Asmat people, in order to expand human understanding and promote intercultural awareness.
The vision of the American Museum of Asmat Art at St. Thomas is to be a preeminent teaching collection, interdisciplinary in nature and programmatically diverse, that promotes global understanding of Asmat art and culture consistent with the mission and values of the University of St. Thomas.
The AMAA is divided into two sections. The objects on permanent display include Asmat ancestor poles (bis), a spirit canoe (wuramon), and other large-scale works such as shields and body masks. The rest of the gallery is dedicated to rotating exhibitions based on different aspects of Asmat art and culture.
The AMAA forms an integral part of the University’s broader commitment to foster respect and appreciation for cultural diversity and the artistic achievements of all humanity.
Academic Year Hours
10 a.m. - 4 p.m Tuesday & Wednesday
10 a.m. - 8 p.m Thursday
10 a.m. - 2 p.m Friday
12 p.m. - 4 p.m Saturday
Closed Sunday & Monday
Summer Hours:
10 a.m. - 2 p.m. Tuesday
10 a.m. - 2 p.m. Thursday - Saturday
Closed Sunday, Monday & Wednesday
Scheduled Closings
The AMAA is closed for all major U.S. holidays, St. Thomas breaks, during final exams week, January Term, and in June for installation.
Groups wishing to schedule a visit may contact Gretchen Burau, Museum Director in advance of their visit.
The AMAA is on the second floor of the Anderson Student Center. at the University of St. Thomas.
Street parking is available in non-permit areas along Cretin Avenue and Summit Avenue. Guests are also welcome to park in the Anderson Parking Facility and the Morrison Parking Ramp.
The AMAA’s collection of Asmat art is one of the largest in North American with nearly 3,000 works. It was originally formed by the American Crosier Father and Brothers, under the leadership of Bishop Sowada who used anthropological approaches to renew cultural traditions and encourage artistic production in Asmat. This Catholic religious Order first arrived in Asmat in 1958 and acquired objects through purchase, trade, and as gifts. In 2007, the collection was given to the University of St. Thomas to educate our community and the broader public about Asmat. The museum opened in 2012 and is on the second floor of the Anderson Student Center on the St. Paul campus.
Visit the American Museum of Asmat Art website for additional information.
The American Museum of Asmat Art at St. Thomas engages students and the global community through preserving, exhibiting, and interpreting the art of Asmat people, in order to expand human understanding and promote intercultural awareness.
The vision of the American Museum of Asmat Art at St. Thomas is to be a preeminent teaching collection, interdisciplinary in nature and programmatically diverse, that promotes global understanding of Asmat art and culture consistent with the mission and values of the University of St. Thomas.
The AMAA is divided into two sections. The objects on permanent display include Asmat ancestor poles (bis), a spirit canoe (wuramon), and other large-scale works such as shields and body masks. The rest of the gallery is dedicated to rotating exhibitions based on different aspects of Asmat art and culture.
The AMAA forms an integral part of the University’s broader commitment to foster respect and appreciation for cultural diversity and the artistic achievements of all humanity.
Academic Year Hours
10 a.m. - 4 p.m Tuesday & Wednesday
10 a.m. - 8 p.m Thursday
10 a.m. - 2 p.m Friday
12 p.m. - 4 p.m Saturday
Closed Sunday & Monday
Summer Hours:
10 a.m. - 2 p.m. Tuesday
10 a.m. - 2 p.m. Thursday - Saturday
Closed Sunday, Monday & Wednesday
Scheduled Closings
The AMAA is closed for all major U.S. holidays, St. Thomas breaks, during final exams week, January Term, and in June for installation.
Groups wishing to schedule a visit may contact Gretchen Burau, Museum Director in advance of their visit.
The AMAA is on the second floor of the Anderson Student Center. at the University of St. Thomas.
Street parking is available in non-permit areas along Cretin Avenue and Summit Avenue. Guests are also welcome to park in the Anderson Parking Facility and the Morrison Parking Ramp.
From the frigid Arctic to the tropical island of New Guinea, the Department of Art History Gallery and the American Museum of Asmat Art present a joint exhibition, CHANGE, that considers the impact of climate crisis through an artistic lens.
Art helps us reexamine the past and imagine the future. CHANGE: the evolution of asmat art considers how change in Asmat society led to new art forms and the alteration of traditional practices. It looks at the current situation in Papua and questions how visual culture may be affected in the future.
Curated with assistance from art history graduate students Madeleine DeGrace, Michaela Peine, and Ashley Schultz.
Exhibition Reception: Sept. 22, 2023
Image: Antonius Kamem, Figure Carving, 2010.01.001
By providing both the campus community and the public with access to contemporary and historical art exhibitions, the gallery supports local and regional arts communities and bolsters a wider understanding of artistic engagement with societal issues.
For full exhibition and event information, visit the Department of Art History Gallery website.The Department of Art History Gallery is committed to providing an exhibition program that fosters dialogue centered around the issues of contemporary and historical art and architectural topics to encourage paths of inquiry and intercultural understanding to advance the common good.
Groups wishing to schedule a visit may contact Marria Thompson, Gallery Curator, in advance of their visit.
The Department of Art History Gallery is located on the first floor of the O'Shaughnessy Educational Center (OEC) in St. Paul.
Street parking is available in non-permit areas along Cleveland Avenue and Summit Avenue. Guests may also park in the Tommie East Parking Garage.
Who can submit a proposal?
We welcome artists to submit proposals to exhibit their work in our gallery. Scheduled two years in advance, our Art Exhibition Program presents two major displays during the academic year (September through December and February through May). We welcome all emerging and established artists, working in all mediums, to submit solo and/or group proposals.
Application Cycle and Timeline
Proposals for exhibitions in 2025 and beyond are now being accepted on a rolling basis.
Proposal Guidelines
To submit a digital proposal, please include the following:
Digital proposals only, please. Do not mail anything.
Send all questions and submissions to:
Marria Thompson
Department of Art History Gallery Curator
ArtHistoryGallery@stthomas.edu
The Department of Art History Gallery is committed to providing an exhibition program that fosters dialogue centered around the issues of contemporary and historical art and architectural topics to encourage paths of inquiry and intercultural understanding to advance the common good.
Groups wishing to schedule a visit may contact Marria Thompson, Gallery Curator, in advance of their visit.
The Department of Art History Gallery is located on the first floor of the O'Shaughnessy Educational Center (OEC) in St. Paul.
Street parking is available in non-permit areas along Cleveland Avenue and Summit Avenue. Guests may also park in the Tommie East Parking Garage.
Who can submit a proposal?
We welcome artists to submit proposals to exhibit their work in our gallery. Scheduled two years in advance, our Art Exhibition Program presents two major displays during the academic year (September through December and February through May). We welcome all emerging and established artists, working in all mediums, to submit solo and/or group proposals.
Application Cycle and Timeline
Proposals for exhibitions in 2025 and beyond are now being accepted on a rolling basis.
Proposal Guidelines
To submit a digital proposal, please include the following:
Digital proposals only, please. Do not mail anything.
Send all questions and submissions to:
Marria Thompson
Department of Art History Gallery Curator
ArtHistoryGallery@stthomas.edu
From the frigid Arctic to the tropical island of New Guinea, the Department of Art History Gallery and the American Museum of Asmat Art present a joint exhibition, CHANGE, that considers the impact of climate crisis through an artistic lens.
In June of 2022, Sarah Nelson arrived on Svalbard, an archipelago in the northern most region of our planet. There she boarded a barquentine vessel, the Antigua, for an artist residency with twenty-eight other artists and scientists. They sailed north along the coastline until there was nothing between them and the absolute North Pole. CHANGE: An Arctic Journey is both an invitation into Nelson's time at sea, and a response to the magnificence and rapid change in the earth’s Northern Polar Region.
From the frigid Arctic to the tropical island of New Guinea, the Department of Art History Gallery and the American Museum of Asmat Art present a joint exhibition, CHANGE, that considers the impact of climate crisis through an artistic lens.
In June of 2022, Sarah Nelson arrived on Svalbard, an archipelago in the northern most region of our planet. There she boarded a barquentine vessel, the Antigua, for an artist residency with twenty-eight other artists and scientists. They sailed north along the coastline until there was nothing between them and the absolute North Pole. CHANGE: An Arctic Journey is both an invitation into Nelson's time at sea, and a response to the magnificence and rapid change in the earth’s Northern Polar Region.
SARAH NELSON | sarahnelson.art
The fastidious processes used to create my visual odes to our planet, whether it is a large-scale drawing or intricately detailed illustration of flora and fauna, are the core of my work. The dedication it takes to complete these labors of love requires exactly that: love. The subject of my drawings ranges from conceptual to representational, but they are always in response to the present, and contemplations of what may be. These visual explorations are meant as an offering – perhaps even a bridge – for others to know and fall in love with our profoundly beautiful and intricate world.
SARAH NELSON | sarahnelson.art
The fastidious processes used to create my visual odes to our planet, whether it is a large-scale drawing or intricately detailed illustration of flora and fauna, are the core of my work. The dedication it takes to complete these labors of love requires exactly that: love. The subject of my drawings ranges from conceptual to representational, but they are always in response to the present, and contemplations of what may be. These visual explorations are meant as an offering – perhaps even a bridge – for others to know and fall in love with our profoundly beautiful and intricate world.
Exhibition Reception Sept. 22 (details coming soon) | All are welcome. No registration required.
Artist Talk (details coming soon)
Virtual Exhibition (coming soon)
Questions? Please contact Marria Thompson (marria.thompson@stthomas.edu).
Exhibition Reception Sept. 22 (details coming soon) | All are welcome. No registration required.
Artist Talk (details coming soon)
Virtual Exhibition (coming soon)
Questions? Please contact Marria Thompson (marria.thompson@stthomas.edu).
The St. Thomas Art Collection includes the many works of fine art and outdoor sculptures on view throughout campus, as well as numerous other artworks housed within the Department of Art History. The collection represents a variety of regions from around the world, in particular African and Midwestern art.
The University of St. Thomas Art Collection seeks to bring the visual arts to the university, providing an enriching and engaging experience for all students, scholars, and community members. Diverse in scope, the collection fosters critical thinking about global cultures and the material world.
With historical oil paintings, large scale outdoor sculptures, intricate African carvings and more, the University of St. Thomas Art Collection has over 1,500 works of art that you can search and explore.
During Fall 2019, students in Professor Vanessa Rousseau's Museum Studies: Collections (ARTH 250) explored the Greco-Roman coins from the University of St. Thomas Art Collection. This hands-on project allowed the students to work with objects, metadata, and digital exhibitions while creating an online database that serves as a valuable resource for the collection.
The University of St. Thomas Art Collection seeks to bring the visual arts to the university, providing an enriching and engaging experience for all students, scholars, and community members. Diverse in scope, the collection fosters critical thinking about global cultures and the material world.
With historical oil paintings, large scale outdoor sculptures, intricate African carvings and more, the University of St. Thomas Art Collection has over 1,500 works of art that you can search and explore.
During Fall 2019, students in Professor Vanessa Rousseau's Museum Studies: Collections (ARTH 250) explored the Greco-Roman coins from the University of St. Thomas Art Collection. This hands-on project allowed the students to work with objects, metadata, and digital exhibitions while creating an online database that serves as a valuable resource for the collection.
The Voorsanger Architects Archive holds the work of Voorsanger Architects PC, a New York-based architectural firm. The physical archive focuses on highlights of the design and creative process from initial sketches to final photos of the firm's various projects, as well as items relating to Principal and founder Bartholomew Voorsanger, FAIA.
A curated collection of 25 projects was selected as representative of the firm's work from the 1970s through the 2010s. Quick facts on these selected projects are showcased on the archive website, while the archive database offers more detailed information and documentation on each of the 25 selections.
American Museum of Asmat Art
Voorsanger Architects Archive