In our hands-on program you will learn from a world-renowned faculty of practitioners and researchers in lively courses filled with a variety of pedagogical approaches. You will collaborate with music teachers from around the world to promote artistic, intelligent, reflective and inspired music teaching at all levels of music.
Our program is designed for teachers by teachers to serve professional music educators who wish to strengthen their classroom teaching. We value classroom practice, theory and research equally in our quest to improve the quality of music education. St. Thomas offers a range of courses for the practicing teacher to incorporate into elementary and secondary curricula.
Core courses provide opportunities for all master’s students to place their specific skills within a broader musical and educational context.
Required areas of study include (14 credits) • GMUS 600 Introduction to Scholarship and Research Methods in Music Education, 3 cr. • GMUS 601 Teaching and Learning, 3 cr. • GMUS 608 Foundations of Music Education, 3 cr. • GMUS 611 Perspectives in Music Theory, 3 cr. • GMUS 612 Topics in Music History, Literature and Theory, 3 cr. (except for the Choral and Piano Pedagogy Concentrations) • GMUS 750 Musicianship, 1 cr. (except for the Kodály concentration) • GMUS 890 Master of Arts Final Project, 1 cr.
Master of Arts in Music Education Concentrations
Choral Concentration
Diverse Perspectives Concentration
Instrumental Concentration
Kodály Concentration
Orff Schulwerk Concentration
Piano Pedagogy Concentration
Choral Concentration
This degree features a broad range of core courses balanced by requirements specific to the choral experience. Unique to the Master of Arts in Music Education program is its emphasis on practical application in graduate study as well as cooperation among classroom, vocal, and instrumental music educators to produce superior music education in our schools and other musical settings.
The choral concentration explores effective ways to enrich the choral experience for singers in our classrooms focusing on conducting, pedagogy, repertoire and vocal development.
This degree explores meaningful ways to deepen one's confidence and skillset in matters of power and privilege — in ways that are musical, pedagogical and critically responsive to the world around us. Unique to the Diverse Perspectives Concentration is its emphasis on vocal and instrumental work for all participants regardless of background, as well as a practical application of equity work in various education settings — including classrooms and ensembles from preschool through university levels, private studios and community groups.
Required Diverse Perspectives concentration courses (16 credits)
GMUS 536-01 Smithsonian Folkways World Music Pedagogy, 3 cr.
GMUS 537-01 Latin American Music, 2 cr.
GMUS 544-03 Diverse Perspectives in Instrumental Music, 2 cr.
GMUS 606 Realizing Diversity in Music Education, 3 cr.
GMUS 652-01 Global Traditions in Choir, 2 cr.
GMUS 670 East Asian Music Cultures, 2 cr.
GMUS 671-1 African Music Ensemble, 2 cr.
Diverse Perspectives elective courses (minimum of 3 credits)
GMUS 544-xx Topics in Music Education (courses and credits vary)
GMUS 612 Topics in Music History, Literature, and Theory, 3 cr.
The degree features a broad range of core courses balanced by requirements that apply to the instrumental experience. Unique to this program is its emphasis on practical application in graduate study as well as cooperation among classroom, vocal, and instrumental music educators to produce superior music education in our schools and other musical settings. Informed pedagogy is the cornerstone of this concentration.
The degree features a broad range of core courses balanced by requirements specific to the general music teacher's work with students of all ages using the Kodály approach. Students will learn a developmentally sequential, active music-making approach that emphasizes singing, artistry, literacy, authentic music materials, reflective practice, and inquiry-based learning for teaching musical concepts and skills. Pedagogic tools include moveable-do tonic solfa, Curwen/Glover handsigns, and rhythm syllables.
This M.A. degree features a broad range of core courses balanced by requirements that apply to the general music teacher's work with students of all ages using the Orff Schulwerk approach. In this concentration students will learn how to create an environment in which children become active, creative participants in their musical education by experiencing music through movement, song, speech and instrument playing.
This degree features a broad range of core courses balanced by requirements specific to the piano experience. Unique to the Master of Arts in Music Education program is its emphasis on practical application in graduate study as well as cooperation among classroom, vocal, and instrumental music educators to produce superior music education in our schools and other musical settings.
The piano pedagogy concentration places emphasis on practical aspects of teaching elementary, intermediate and advanced students to develop their musicianship and technical skills.
MTNA certification: Music Teachers National Association Professional Certification and the piano pedagogy programs at the University of St. Thomas.
Required piano pedagogy concentration courses (11 credits)
GMUS 571 Performance Studies - Piano (three semesters of 50-minute lessons), 3 cr.
GMUS 651 Dalcroze Musicianship, 3 cr.
GMUS 771 Elementary Piano Materials & Teaching Techniques, 3 cr.
GMUS 772 Intermediate Piano Materials & Teaching Techniques, 3 cr.
GMUS 800 Supervised Teaching, 2 cr.
Piano elective courses (minimum of 5 credits)
GMUS 536 Smithsonian Folkways Certification in World Music Pedagogy, 3 cr.
GMUS 537 Latin American Music, 1 cr.
GMUS 544-xx Topics in Music Education, credits vary (advisor approval required)
This degree features a broad range of core courses balanced by requirements specific to the choral experience. Unique to the Master of Arts in Music Education program is its emphasis on practical application in graduate study as well as cooperation among classroom, vocal, and instrumental music educators to produce superior music education in our schools and other musical settings.
The choral concentration explores effective ways to enrich the choral experience for singers in our classrooms focusing on conducting, pedagogy, repertoire and vocal development.
This degree explores meaningful ways to deepen one's confidence and skillset in matters of power and privilege — in ways that are musical, pedagogical and critically responsive to the world around us. Unique to the Diverse Perspectives Concentration is its emphasis on vocal and instrumental work for all participants regardless of background, as well as a practical application of equity work in various education settings — including classrooms and ensembles from preschool through university levels, private studios and community groups.
Required Diverse Perspectives concentration courses (16 credits)
GMUS 536-01 Smithsonian Folkways World Music Pedagogy, 3 cr.
GMUS 537-01 Latin American Music, 2 cr.
GMUS 544-03 Diverse Perspectives in Instrumental Music, 2 cr.
GMUS 606 Realizing Diversity in Music Education, 3 cr.
GMUS 652-01 Global Traditions in Choir, 2 cr.
GMUS 670 East Asian Music Cultures, 2 cr.
GMUS 671-1 African Music Ensemble, 2 cr.
Diverse Perspectives elective courses (minimum of 3 credits)
GMUS 544-xx Topics in Music Education (courses and credits vary)
GMUS 612 Topics in Music History, Literature, and Theory, 3 cr.
The degree features a broad range of core courses balanced by requirements that apply to the instrumental experience. Unique to this program is its emphasis on practical application in graduate study as well as cooperation among classroom, vocal, and instrumental music educators to produce superior music education in our schools and other musical settings. Informed pedagogy is the cornerstone of this concentration.
The degree features a broad range of core courses balanced by requirements specific to the general music teacher's work with students of all ages using the Kodály approach. Students will learn a developmentally sequential, active music-making approach that emphasizes singing, artistry, literacy, authentic music materials, reflective practice, and inquiry-based learning for teaching musical concepts and skills. Pedagogic tools include moveable-do tonic solfa, Curwen/Glover handsigns, and rhythm syllables.
This M.A. degree features a broad range of core courses balanced by requirements that apply to the general music teacher's work with students of all ages using the Orff Schulwerk approach. In this concentration students will learn how to create an environment in which children become active, creative participants in their musical education by experiencing music through movement, song, speech and instrument playing.
This degree features a broad range of core courses balanced by requirements specific to the piano experience. Unique to the Master of Arts in Music Education program is its emphasis on practical application in graduate study as well as cooperation among classroom, vocal, and instrumental music educators to produce superior music education in our schools and other musical settings.
The piano pedagogy concentration places emphasis on practical aspects of teaching elementary, intermediate and advanced students to develop their musicianship and technical skills.
MTNA certification: Music Teachers National Association Professional Certification and the piano pedagogy programs at the University of St. Thomas.
Required piano pedagogy concentration courses (11 credits)
GMUS 571 Performance Studies - Piano (three semesters of 50-minute lessons), 3 cr.
GMUS 651 Dalcroze Musicianship, 3 cr.
GMUS 771 Elementary Piano Materials & Teaching Techniques, 3 cr.
GMUS 772 Intermediate Piano Materials & Teaching Techniques, 3 cr.
GMUS 800 Supervised Teaching, 2 cr.
Piano elective courses (minimum of 5 credits)
GMUS 536 Smithsonian Folkways Certification in World Music Pedagogy, 3 cr.
GMUS 537 Latin American Music, 1 cr.
GMUS 544-xx Topics in Music Education, credits vary (advisor approval required)
Our programs are designed for working music teachers who wish to pursue graduate study without interrupting their professional lives. All courses required for the degree are available during the summer term in an interlocking arrangement of day and evening courses.
Alumni Outcomes
Adrian Davis ‘17
In 2013, Adrian assumed the duties and responsibilities of establishing a music department at Roosevelt High School. He was nominated a quarterfinalist for Grammy Music Educator of the Year in 2014 and 2016 and was featured on Classical MPR in January 2014 for excellence in music education.
Elizabeth Johnson ’12
Liz has taught K-8 music at H.O.P.E. Academy and Noble Academy in Minnesota. H.O.P.E. Academy served as a beginning for Liz’s teaching experience where she acted as a Hmong-English bilingual teacher and learned conversational Hmong for the children’s comfort.
Reid Wixson '10
Reid earned his MA in Instrumental Education and is currently the Director of Instrumental Music at Southwest High School in Minneapolis. In 2018, he was invited to speak at the Midwest Clinic and is a force for change in the music education field.
Sarah Minette '11
Sarah is a music educator at Minneapolis South High School and adjunct faculty at St. Thomas. She has taught middle school band, jazz band, marching band, and most recently, secondary general music. Her focus is on providing music making opportunities for every student.
A series of excellence
Jane Frazee Distinguished Scholar-Artist Series
Since 1990, the College of Arts and Sciences Graduate Programs in Music Education has sponsored a summer seminar in which distinguished figures in music and arts education present their work to the community of music educators in the Twin Cities metro area.
Faculty
Dr. Matthew George
Dr. George holds a DMA degree in conducting from the University of North Texas, a MM degree in music education from Southern Methodist University, and a BM degree in music education and trumpet performance from Ithaca College. He is Professor of Music and the Director of Bands and Orchestra at St. Thomas.
Dr. Johnson received her PhD in Music Theory from the University of Wisconsin-Madison with a doctoral minor in Composition, a MM in Composition from California State University-Northridge and a BA in Music from Augsburg College, where her emphasis was in flute performance.
Stemming from a career that has spanned all levels of instrumental and vocal music instruction, kindergarten through graduate school, Bruce Gleason teaches and advises students within Graduate Programs in Music Education.